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Tuesday 8 October 2013

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Guns N' Roses exploded onto the rock scene in the mid-1980s with their incendiary debut, Appetite for Destruction (1987), heralding the arrival of a blues-influenced heavy metal band on a par with the Rolling Stones and Aerosmith. But volatile personalities, self-destructive behavior, and creative conflicts led to the slow dissolution of the original band slowly after the release of their two-album epic, Use Your Illusion (1991), never to recapture their former glory.
Guns N' Roses ended the 1980s with one of the most successful debut albums of the decade; Appetite for Destruction (1987) sold more than 20 million copies. In just three short years, the group had established a reputation for unpredictability, volatility, and loutishness, resulting in part from the deaths of two fans during crowd disturbances at a festival show in England in 1988 and in part from the controversial lyrics to the song "One in a Million" (from their 1989 mini-album, G n' R Lies ), widely criticized for their homophobic and racist sentiments.
The 1990s proved even more chaotic. The singer Axl Rose faced tabloid rumors that he had abused his wife; he also faced charges of attacking an audience member following a riot at a St. Louis show. The controversy faded from headlines in September with the release of the band's eagerly awaited double-album set, Use Your Illusion I and Use Your Illusion II.
The albums were a triumph for the group, occupying the two top positions of the Billboard album charts—the first time that feat had been accomplished since 1974—and winning critical praise for the more mature, ambitious songwriting and arrangements. The three-year process of recording the work proved to be the band's undoing, however; the creative tensions and the artistic split within the group was audible on several of the album's tracks.
While Rose was enamored of the baroque rock and pop of groups such as Queen and Elton John, the guitarists Slash and Izzy Stradlin had more meat-and-potatoes rock and roll tastes, favoring hard rock and blues in the manner of the Rolling Stones and Aerosmith. I is the more up-tempo, rock-oriented of the albums, featuring some of Stradlin's most blues-influenced hard rock songs such as "Dust N' Bones," "Double Talkin' Jive," and "You Ain't the First." Rose explores his more progressive rock tendencies on the sprawling, piano-laden hit ballads "November Rain" and "Don't Cry."
II is packed with longer songs—four run over six minutes—that hint at Rose's more pretentious, overindulgent tendencies, such as the antiwar "Civil War" and the nearly ten-minute epic "Estranged." Not surprisingly, Rose also drew fire for "Get in the Ring," on which he threatens a number of rock journalists by name for giving poor reviews to his group. The album also features a cover of Bob Dylan's rock standard "Knockin' on Heaven's Door," delivered in Rose's strangulated, piercing scream of a voice. The albums went on to sell more than 4 million copies each.

In late 1993 after several defections, what was left of the original lineup of the group released its swan song, the covers album, The Spaghetti Incident? With covers of songs by groups such as the Misfits, Fear, the New York Dolls, and the Stooges, the ferocious album reveals the punk-rock roots that underlay the heavy-metal influences of bands such as Nazareth.

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